![]() Sale continued his partnership with Loeb through the early aughts, launching their Marvel Color series with DAREDEVIL: YELLOW in 2001. In 1999, Sale also won Eisners for Best Penciler/Inker for Superman for All Seasons and Best Short Story in Grendel Black, White, and Red #1 with writer Matt Wagner. ![]() His work with Loeb on Batman: The Long Halloween and Batman: Dark Victory won Eisner Awards in 19 respectively. ![]() He then hit his stride in the early 1990s, working for both Marvel and DC, often with Loeb on a multitude of titles, including X-MEN ANNUAL #18 (1994), WOLVERINE & GAMBIT: VICTIMS #1 (Sept. His first penciling job was the fantasy anthology series Thieves’ World in 1985, in which he worked alongside Lynn Abbey and Robert Lynn Asprin. ![]() In 1984, he began working as an inker on Myth Adventures from WaRP Graphics. In 1976, Severin invited him up to Marvel’s Bullpen, though he wouldn’t work on Marvel comics until much later. ![]() During this time, he took a three month-long workshop, learning anatomy from John Buscema, inking and storytelling techniques from John Romita Sr., and design and storytelling from Marie Severin. As a young man, he studied at the University of Washington for two years before continuing his studies at the School of Visual Arts in New York. ![]()
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